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John Donne (1572-1631) was a scholar whose early career as a civil servant was hampered by his Roman Catholic leanings, then destroyed by the British aristocrat whose daughter he married against her father's will. Eventually he came to the attention of King James, who found him a prominent position in the Anglican church, where he quickly earned respect for his writing. Some of Donne's poetry is sensual for his time - many critics attribute those verses to his years as a student. A few of his poems apparently express his love for his wife, and a number express religious sentiment using terms and imagery that are nearly as passionate as his love poems. Rising to prominence about generation after Shakespeare, Donne wrote at a time when "wit," or a kind of poetic cleverness, was highly valued. He delighted in writing complicated metaphors (called "conceits") that often make his poems exercise the mind more than the heart. He also delighted in imagined "contraction" or shrinkage of space and time - a lifetime into moments, or all of the world's empires into his lovers' eyes. Nowhere in his "Divine" poems is that "contraction" more poignant than in this sonnet, in which the Infinite becomes small enough to be contained in the most private of all chambers. Donne also points out with charming irony that God pitied us so much that He became vulnerable enough to elicit our pity toward Him. Nativity John DonneImmensity cloistered in thy dear womb,
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